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Showing posts from November, 2022

Could Theatrical Movies Shut Out Streamers for the Top Oscars?

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Stream These Three Great Documentaries

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‘Ainbo’ Review: Saved by a Princess

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‘Everything Everywhere’ Takes Top Prize at the Gotham Awards

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How ‘Black Panther’ Builds Complex Characters From the Politics of Colonization

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Five Science Fiction Movies to Stream Now

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Jean-Marie Straub, Uncompromising Filmmaker, Is Dead at 89

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‘The Noel Diary’ Review: Revelations on a Cold Winter’s Night

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‘Devotion’ Review: An Airman in Reflection

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‘The Corridors of Power’ Review: The Human Cost of Foreign Policy

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‘White Noise’ Review: Toxic Events, Airborne and Domestic

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‘The Sound of Christmas’ Review: A Gospel Singer Finds Love

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‘The Swimmers’ Review: Overcoming the Greatest Challenges

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‘The Fabelmans’: What’s Real and What’s Fictional

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‘Strange World’ Review: All Too Familiar

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‘99 Homes,’ ‘Paddleton’ and More Streaming Gems

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‘Leonor Will Never Die’ Review: Rewriting Life, One Scene at a Time

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Hail to the Queen: Angela Bassett on ‘Black Panther: Wakanda Forever’

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‘Glass Onion: A Knives Out Mystery’ Review: Another Clue for You All

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This Mars Documentary Required Many Sols

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Jeremy Pope Is Telling Himself ‘Yes’

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Michael J. Fox, Diane Warren and Cher at the Raucous Governors Awards

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Sheriff’s Report on ‘Rust’ Shooting Doesn’t Find Source of Live Rounds

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In ‘There There,’ the Actors in the Room Are Far Far From Each Other

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‘She Said’ Filmmakers and Weinstein Victims: An Emotional Collaboration

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The Charming Star With Soulful Eyes Happens to Be a Donkey

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‘Disenchanted’ Review: Middlingly Ever After

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‘The Wonder’ Review: The Hungry Woman

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‘Bad Axe’ Review: A Pandemic Family Portrait

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‘Mickey: The Story of a Mouse’ Review: Disney’s Clown Prince

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‘Blue’s Big City Adventure’ Review: It’s Gotta Be the Clues

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In Andy Warhol’s ‘My Hustler,’ Love Is for Sale

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Tenoch Huerta Mejía and the Beauty of Representation in ‘Wakanda Forever’

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Nan Goldin and Laura Poitras: Two Artists, One Devastating Film

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‘Memories of My Father’ Review: Death of a Patriarch

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‘Stutz’ Review: An Actor’s Tribute to a Therapist

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‘Master of Light’ Review: Rebuilding Through Rembrandt

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‘Black Panther: Wakanda Forever’ Ends Box Office Drought

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For Elvis Mitchell, Critic Turned Filmmaker, a Chance to Show and Tell

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Who Is Namor, the ‘Black Panther: Wakanda Forever’ Villain?

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Five Horror Movies to Stream Now

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‘Black Panther: Wakanda Forever’ Is in Theaters. Let’s Talk About It.

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Jury Says Paul Haggis Raped Woman After Film Premiere

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‘The Box’ Review: A Dark Coming-of-Age Tale

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‘Is That Black Enough for You?!?’ Review: A Miracle Decade

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‘A Couple’ Review: Tolstoy Story

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‘The Fabelmans’ Review: Spielberg’s Own Sentimental Education

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‘Nothing Lasts Forever’ Review: Mining the Diamond Myth

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Warren Beatty Is Accused of Sexually Assaulting a Minor in 1973

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‘Black Panther: Wakanda Forever’ Review: Women on the Home Front

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